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20.10: Interview with Chuck Tingle: Breaking the Rules
Today we have the pleasure of talking with author (and longtime listener!) Chuck Tingle. We invited him on the podcast to talk about breaking the rules—both in terms of how to publish and what to publish. Chuck told us about the business and creative rules that he has upended—he doesn’t do readings, he is anonymous (during our interview he wore a pink bag over his head), and he thinks you should tell and show. Chuck then shares some of his favorite failures, what he learned from them, and how failures actually aren’t real. Also featured on today’s episode: puppet bloopers, approaching art, and why LOVE IS REAL. You can learn more about Chuck Tingle here. Chuck’s Thing of the Week: The FrankenStand (a vegan hotdog stand in LA that serves horror-themed hot dogs)Homework: Choose a section from your current Work In Progress (WIP). Think of the writing rule that you’re treating as the North Star of Writing At Large (what would the English Department hammer into you?). Try to rewrite that section without that rule or doing the opposite of the rule. Then, look at it and see what changes that makes. Is there a version of your writing where you can use this as a tool, and not a rule? P.S. Our retreat registration is open, and we are starting to fill up! We are going to unlock our creative processes in Minnesota and explore Story Refinement as we cruise down the Mexican Riviera! Learn more here. P.P.S. Are you tired of ads?! You can join our $5 tier on Patreon and receive ad-free episodes each week! Sign up for our newsletterCredits: Your hosts for this episode were Mary Robinette Kowal, Dongwon Song, and Howard Tayler. Our guest was Chuck Tingle. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.Join Our Writing Community! PatreonInstagramThreadsBlueskyTikTokYouTubeFacebookOur Sponsors:* Check out Acorns: https://acorns.com/WX* Visit kinsta.com to get your first month free when you sign up today!Support this podcast at — https://redcircle.com/writing-excuses2130/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy
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20.09: The Reaction of Who?!
What do emotional beats and action scenes have in common? Well, they both need to land with your audience in order for your story not to fall flat. On today’s episode, we’re talking about the importance of reaction. Everything from portraying your characters’ reactions to letting readers sit with—and witness— these reactions. The actions that a character takes—or doesn’t take— as a part of their reaction let the audience know what they are thinking and feeling. And this lets the audience react alongside the character, even if they haven’t experienced (in their own life) what just happened to the character. We’ll give you tips and tricks for building this level of resonance between your characters and readers.Homework: Look at one of your characters’ reactions and flip it. If they take an action that escalates a situation, how would that scene play if their reaction de-escalated the situation? Can you still get to the end point that you want? P.S. Want to come write with us in 2025?! Our retreat registration is open, and we are starting to fill up! We are going to unlock our creative processes in Minnesota and explore Story Refinement as we cruise down the Mexican Riviera! Learn more here. P.P.S. Are you tired of ads?! You can join our $5 tier on Patreon and receive ad-free episodes each week!Sign up for our newsletterCredits: Your hosts for this episode were Mary Robinette Kowal, Dan Wells, Dongwon Song, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.Join Our Writing Community! PatreonInstagramThreadsBlueskyTikTokYouTubeFacebookOur Sponsors:* Check out Acorns: https://acorns.com/WX* Visit kinsta.com to get your first month free when you sign up today!Support this podcast at — https://redcircle.com/writing-excuses2130/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy
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20.08: Character Stakes and Fears
This week, we’re continuing our conversation about the lens of who. On last week’s episode we talked about a character’s motivation and goals. Now, we’re starting to think about tension in the form of a character’s stakes and fears. The fears that a character has and the stakes that they face create the story that exists around them. These tensions also help move them through the story. So, how can you use stakes and fears to start– and build– your story? The answer may surprise you. Hint: you may not want to open with your character dangling off a cliff. Homework: Make a list of all the major fears that your main character has. Take your MC (main character), and draw a map of all the characters that your MC is connected to. Now, describe those relationships in one sentence or less. Now, compare this list of relationships with the list of fears. See if these two lists are in conversation with each other. Are they supporting each other or are they completely disconnected? If they are disconnected, start thinking about how you could bring these two lists closer together to establish a feedback loop between relationships and fears. P.S. Want to come write with us in 2025?! Our retreat registration is open, and we are starting to fill up! We are going to unlock our creative processes in Minnesota and explore Story Refinement as we cruise down the Mexican Riviera! Learn more here. P.P.S. Are you tired of ads?! You can join our $5 tier on Patreon and receive ad-free episodes each week! Sign up for our newsletterCredits: Your hosts for this episode were Mary Robinette Kowal, Dan Wells, Dongwon Song, Erin Roberts, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.Join Our Writing Community! PatreonInstagramThreadsBlueskyTikTokYouTubeFacebookOur Sponsors:* Check out Acorns: https://acorns.com/WX* Visit kinsta.com to get your first month free when you sign up today!Support this podcast at — https://redcircle.com/writing-excuses2130/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy
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20.07: Motivation and Goals
Do you know what your characters want? And is there a deeper desire underneath that one? A character's motivations can help make them "relatable," drive the story's momentum, and create obstacles. Additionally, characters/ desires can serve different parts of themselves, which can help make them complex and multifaceted. But what is a good character motivation and how do you share it with your readers? Homework: Write a scene from a secondary POVs character. Pick a concrete goal for them that is NOT the protagonist's goal. How does that change the way they react in the scene?P.S. Want to come write with us in 2025?! Our retreat registration is open, and we are starting to fill up! We are going to unlock our creative processes in Minnesota and explore Story Refinement as we cruise down the Mexican Riviera! Learn more here. P.P.S. Are you tired of ads?! You can join our $5 tier on Patreon and receive ad-free episodes each week! Sign up for our newsletterCredits: Your hosts for this episode were Mary Robinette Kowal, Dan Wells, Dongwon Song, Erin Roberts, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.Join Our Writing Community! PatreonInstagramThreadsBlueskyTikTokYouTubeFacebookOur Sponsors:* Check out Acorns: https://acorns.com/WX* Visit kinsta.com to get your first month free when you sign up today!Support this podcast at — https://redcircle.com/writing-excuses2130/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy
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20.06: History and Community
Have you ever wondered how much you need to know about a specific character before you start your story? Do you need to have an entire outline of their childhood before you can start writing in depth about them? We don’t think so! But it is important to listen to these questions as they emerge. This can help you figure out how to incorporate facets of each character’s identity that have narrative weight, instead of crowding the story with small facts that might not be necessary. This can help you layer and backfill as you build out – and discover– your story. Homework: Identify something from your character's life before your story begins - write a scene in which that element of the character weighs on the scene but is never explicitly mentioned.P.S. Want to come write with us in 2025?! Our retreat registration is open, and we are starting to fill up! We are going to unlock our creative processes in Minnesota and explore Story Refinement as we cruise down the Mexican Riviera! Learn more here. P.P.S. Are you tired of ads?! You can join our $5 tier on Patreon and receive ad-free episodes each week! Sign up for our newsletterCredits: Your hosts for this episode were Mary Robinette Kowal, Dongwon Song, Erin Roberts, and Howard Tayler. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.Join Our Writing Community! PatreonInstagramThreadsBlueskyTikTokYouTubeFacebookOur Sponsors:* Check out Acorns: https://acorns.com/WX* Visit kinsta.com to get your first month free when you sign up today!Support this podcast at — https://redcircle.com/writing-excuses2130/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy
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