Music journalist Charles Steinberg and composer Natalie Holt sit down with some of your favourite composers and get into the nitty-gritty of what it takes to cr...
Ahead of the 76th Emmys Awards, we talk with the composer of Ripley, the latest masterful adaptation of The Talented Mr. Ripley and a Netflix thriller that pulled 13 nominations for a limited series. It should have been 14 with Jeff Russo's score. One of the steadiest working composers in the game gets into the period influences of his music for Ripley and shares what it means to be the new standard bearer for some of the longest standing IP in Film & Television.
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Leopold Ross
Leo Ross’s occupation as a composer has certainly been gaining steam. After an early music career of playing in and writing music for his bands, Ross transitioned into scoring under the wing of his older brother Atticus, merging the ethos of band culture into his new field while collaborating with Atticus and others on all of his projects. Now Leo Ross’s immersion into the scoring life is full fledged. His collaborative score for Shōgun was the belle of this TV season, and his solo score for Monarch: Legacy of Monsters has given him room to explore his individual style. Before all of this, Leo sat down with Charles at a hotel in Los Angeles. Here is their conversation.
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Ryan Lott of Son Lux
A lot of what has transpired in Ryan Lott’s life as a musician has been unexpected, mainly in as much as his unfearing forays into the potentiality of his medium has expanded his zone of interest, and that of his band Son Lux. The gumption of Son Lux has landed them in some unusual places, not least of which was at the helm of scoring one of the most unusual films ever made – Everything Everywhere All at Once. Listen along as Lott gets open about being a part of the first ever Oscar nominated band for best score, and the choices he made to get there, and beyond.
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Christopher Bear & Daniel Rossen (Grizzly Bear)
Christopher Bear and Daniel Rossen spent the better part of the last two decades captivating the indie rock world as members of Grizzly Bear. They re-emerged this past year to score the Oscar-nominated Past Lives, a film that has captivated its entire audience.
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Laura Karpman
In this run-up to the 96th Academy Awards, we are delighted to share this conversation with nominee for best original score, Laura Karpman. Karpman's score for American Fiction, which has five nominations, gently twirls in and out of what is quietly one of the best films of 2023. It showcases a different side of Karpman than the grand-scale Marvel projects for which she's known.
Music journalist Charles Steinberg and composer Natalie Holt sit down with some of your favourite composers and get into the nitty-gritty of what it takes to create some of the most iconic scores that we hear in film, TV & game today.
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