The Messy Truth - Conversations on Photography

• Alessia Glaviano - On Relevance

  In this episode, Gem Fletcher talks to Alessia Glaviano, the Head of Global PhotoVogue and Director of the PhotoVogue Festival. They discuss relevance, why Alessia hates nostalgia, the importance of obsession and why artists need the freedom to be controversial. Since joining Vogue Italia in 2001, Glaviano rapidly ascended from Photo Editor to Visual Director, where she played a crucial role in shaping the visual identity of the publication. In early 2022, with the relaunch of PhotoVogue on a global scale, Glaviano’s role shifted to focus on leading PhotoVogue, collaborating with all editions of Vogue worldwide. Under Glaviano’s leadership, PhotoVogue has become an industry-leading platform, curating a diverse pool of image-makers and exemplifying diversity behind the camera through a multitude of perspectives. In her expanded role, she continues to steer the platform into its future while overseeing its creative direction and driving key special projects.In addition to her editorial work, Alessia regularly lectures at esteemed institutions, including the United Nations, the University of Brighton, Central Saint Martins, IED, Bocconi University, and the Milan Polytechnic. She has also served on the juries of internationally acclaimed photography contests, including the World Press Photo, the Festival International de Mode et de Photographie à Hyères, and the Leica Oskar Barnack Award, and has participated in several prestigious portfolio review sessions, such as the New York TimesPortfolio Reviews.Follow Alessia @alessiaglaviano & Gem @gemfletcher on Instagram. If you've enjoyed this episode, PLEASE leave us your feedback in the Apple Podcast store. Thank you for listening to The Messy Truth. We will be back very soon. For all requests, please email [email protected] Hosted on Acast. See acast.com/privacy for more information.

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• Jack Davison - On Craft

  In this episode, Gem Fletcher talks to Jack Davison about craft, creative development and the importance of taking risks, all through the lens of his new project A is for Ant, a multifaceted experience which includes his debut short film, two photo books, a live touring performance, and workshops. Made in collaboration with Shona Heath and Matt Willey where each letter of the alphabet is represented by an animal - playfully characterised by both actors and live creatures and created in the inventive spirit of the Early modern avant-garde.British photographer Jack Davison's oeuvre effortlessly embraces digital, analogue, black and white and colour photography. His works depict the human figure, architecture, animals, objects, landscapes and townscapes; yet his subject is always photography itself. Jack's playful and curious approach is shaped by the equally formative space of online platforms like Flickr and Tumblr, where he first developed his craft as a young man taking pictures in the Essex countryside.Jack received his first major commission from Kathy Ryan, photography editor of the New York Times, in 2016. His editorial work has since been featured in publications including the New York Times, Le Monde, Vogue Italia, British Vogue and i-D, and he has worked with fashion labels including Alexander McQueen, Hermès, Burberry, Craig Green and Moncler. His 2019 book Photographs, published by Loose Joints, is now in its third reissue. Song Flowers, a collaboration with the fashion label Marni, was published in 2020. Ol Pejeta, whose subject is the world’s last two living white rhinos in the Kenyan wildlife conservancy of the same name, followed in 2021. A limited-edition annotated artists edition of Photographs was published in 2021. Jack's works are included in the permanent collection of The National Portrait Gallery, London.Follow Jack @jackdavisonphoto & Gem @gemfletcher on Instagram. If you've enjoyed this episode, PLEASE leave us your feedback in the Apple Podcast store. Thank you for listening to The Messy Truth. We will be back very soon. For all requests, please email [email protected] Hosted on Acast. See acast.com/privacy for more information.

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• Cait Oppermann - On Autonomy

  In this episode, Gem Fletcher talks to Cait Opperman about her creative journey and her new full service production company Flowers. Born from her desire for greater autonomy and more direct and meaningful collaboration with her clients, Cait is creating a new model beyond the traditional photographer and agent dynamic. While she had a hunch that building Flowers would offer a more expansive way of working with less compromise, Cait also found it rekindled her personal connection to creativity in dynamic and unexpected ways. Cait Oppermann is a New York-based photographer, director and entrepreneur working in the fine art, commercial and editorial sectors and beyond. After receiving her BFA in Photography from Pratt Institute, Cait has built a successful career working with clients including Nike, Meta, Rapha, The New York Times, The New Yorker, Time, Volvo and On Running. In 2023, Cait launched FLOWERS, a cross-disciplinary creative studio and full-service production company based in New York, working across the globe.Follow Cait @caitoppermann & @flowersfullservice & Gem @gemfletcher on Instagram. If you've enjoyed this episode, PLEASE leave us your feedback in the Apple Podcast store. Thank you for listening to The Messy Truth. We will be back very soon. For all requests, please email [email protected] Hosted on Acast. See acast.com/privacy for more information.

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• Sophie Hackett - On Vernacular Photography

  In this episode, Gem Fletcher talks to Sophie Hackett, the photography curator at the Art Gallery of Ontario in Toronto about the power of vernacular photography. We discuss her recent book and exhibition on Casa Susana - The Story of the First Trans Network in the United States 1959-1968. These incredibly inspiring photographs trace an underground network of transgender women and cross-dressing men who found refuge in a house in the Catskills region of New York. The house, known as Casa Susanna, provided a safe place to express their true selves and live for a few days as they had always dreamed - dressed as and living as women without fear of being incarcerated or institutionalised for their self-expression. This book opens up that now-lost world with a multifaceted collection of vernacular photographs - mostly discovered by chance in a New York flea market in 2004. During Sophie Hackett’s tenure at the Art Gallery of Ontario she has curated numerous exhibitions and collection reinstallation's, written and contributed to countless publications, participated on international juries and maintained an active academic profile. She is currently a faculty member in Toronto Metropolitan University’s Master’s degree program in Film + Photography, and was a 2017 Fellow with the Center for Curatorial Leadership. Hackett’s area of specialty is 19th and 20th century vernacular photography.Follow Sophie @hackettse & Gem @gemfletcher on Instagram. If you've enjoyed this episode, PLEASE leave us your feedback in the Apple Podcast store. Thank you for listening to The Messy Truth. We will be back very soon. For all requests, please email [email protected] Hosted on Acast. See acast.com/privacy for more information.

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• Jesse Glazzard - On Community

  In this episode, Gem Fletcher talks to Photographer Jesse Glazzard renowned for making striking and intimate portraits anchored in his everyday life and wider community. Alongside his commercial and editorial work, Jesse’s passion projects immerse us in marginal, lesser-known worlds, such as a Trans boxing gyms, Queer camping and underground club nights. His photographs are informed by care and compassion and the impetus of his practice is on the importance of documentation, without necessarily showing the work right away. There is a sense of preserving his community, in a particular moment of history. Jesse Glazzard Is a Photographer from West Yorkshire, based in London. He has worked with clients including YSL, SSENSE, Calvin Klien, Adidas, Coach, Facebook, Death Jam, Sony Music as well publications including British Vogue, Interview magazine, GQ, Altered States, Perfect Magazine, Cultured Mag and The Face.Mentioned in the episode:Diamond Coating on a Blade - Jesse Glazzard for The FaceWinter on Fire documentaryFollow Jesse @jesse_glazzard & Gem @gemfletcher on Instagram. If you've enjoyed this episode, PLEASE leave us your feedback in the Apple Podcast store. Thank you for listening to The Messy Truth. We will be back very soon. For all requests, please email [email protected] Hosted on Acast. See acast.com/privacy for more information.

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