Why Theory

On this episode, Ryan and Todd tackle the fading specter of ambition as a tragic or negative quality. Far from being a minor rhetorical or social phenomenon, the two trace the embrace of ambition to the broader injunction to sell oneself as a brand. This episode will lay some theoretical groundwork down for the following episode which will be on Avarice (a return to long fallow Seven Deadly Sins series).

On this episode, Ryan and Todd return to Kant's Critique of Pure Reason to discuss the Transcendental Analytic section of the text. Topics include: form and content, Kantian causality, whether example(s) can work for exploring Kant's philosophy, the subject vs. subjectivism, simultaneity, and Super Metroid. Plus Ryan makes an Announcement. (Bonus points go to any listener who currently lives in a house boat.)

On this episode, Ryan and Todd take a short break from their Kant Odyssey to discuss one of the podcast's most admired filmmakers: Rob Reiner. Coincidentally being released on Oscar's Sunday, the hosts dedicate their time to Reiner's first seven films--This is Spinal Tap, The Sure Thing, Stand By Me, The Princess Bride, When Harry Met Sally..., Misery, and A Few Good Men. While discussing each film individually, the pair articulate and build upon the following claim: the same things that made Reiner unique as a filmmaker were the exact same things that made him easy to overlook as an auteur.

On this episode, Ryan and Todd cover the next major idea in Kant's first critique: the transcendental deduction. While explicating the trajectory of Kant's argument, the pair continue to track the latent and manifest influence of this section on Fichte, Hegel, Freud, Heidegger, and Lacan. Later, they try to bring film examples to bear on this section of Kant--including the stark difference between the A and B sections of the text.

On this episode, Ryan and Todd return to Kant and discuss the Transcendental Aesthetic from his Critique of Pure Reason. The hosts work through a sketch of Kant's idea, why he's proposing it, and why even the form of its argumentation is significant for the history of philosophy. The hosts also work over the influence of this section on Heidegger and propose a possible influence on Freud. Later the pair try to mobilize Kant's conception of time and space through pop culture example which is often seen in psychoanalytic treatments of Freud and Lacan (and even some with Hegel) but much less with Kant.