Jazz is a conversation — and that’s what The Late Set is all about. Originated by critic Nate Chinen and broadcaster Greg Bryant, the show now convenes Chinen a...
For our first episode of 2025, Nate and Josh Jackson talk through a few fresh New Year’s resolutions related to listening. And we’re sharing one of our favorite interviews in recent memory: a sit-down with Samara Joy, her father and her grandfather at Mother Bethel AME Church. Touching on deep gospel roots, strong family bonds and a spirit of service, it’s a special conversation that summons the energy we want to bring into the year. Our intro and interstitial music comes from The Savettes. More to explore: Watch our video Joy & Praise: The McLendon Legacy Listen to our episode with Samara Joy and Gregory Porter Support WRTI: https://bit.ly/2yAkaJsSee omnystudio.com/listener for privacy information.
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1:02:52
Year in Review with Immanuel Wilkins
We heard so many great albums in 2024, none more imaginative or compelling than Blues Blood, by alto saxophonist and composer Immanuel Wilkins. This episode features an illuminating conversation that Immanuel had at REC Philly with Josh Jackson, as part of the Jazz Philadelphia Summit. We’re also taking a look back at the stories, themes and other highlights from a jam-packed year. And on a bittersweet note, this is Greg’s last episode on The Late Set, as he bids a fond farewell to Philly and WRTI. You don’t want to miss it.
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1:14:46
Beyond the Mayo with Michael Mayo
The jazz vocal tradition is always an evolving proposition, but rarely does that notion feel truer or more affirming than in the output of Michael Mayo. Fly, his sterling second album, captures the forces of energy and creativity that he brings to the art form, on reimagined standards as well as smart original songs. Michael stopped into WRTI during a recent swing through town, straight from the airport. We talked about his upbringing as the child of two busy backing musicians, and how he pursues a band ideal even as he’s shining out front. He also reflects on the state of jazz singing, and considers how a vocalist can sneak musical complexities into the mainstream. And he divulges some secret intel about a cult-favorite side project, Shrek is Love.
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50:54
Thanksgiving Mailbag Special
As Thanksgiving rolls around, it’s a good time to ask: what are we grateful for? Here at The Late Set, our first answer is you, our listener. So we decided to spend this holiday episode answering your questions. In the process, you’ll hear Greg and Nate shout out scenes both near and far, admit to a few blind spots, and compare pet peeves. It’s a high-spirited Q&A session that gets right to the heart of the matter, which is genuine conversation around the music and its message. For that, we’ll always be thankful.
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51:14
Adjust Brightness with Bilal
“I’m a jazz musician first, I feel,” says Bilal. Maybe this comes as news to the many admirers who know him as an ethereal singer with a shape-shifting R&B profile, or as one of the original catalysts for neo-soul. On a compelling new album, Adjust Brightness — his first studio release in almost a decade — Bilal explores a galactic sweep of sound, making genre distinctions feel all the more irrelevant to any conversation. But we had plenty to talk about during a spirited interview backstage at World Cafe Live, before Bilal’s homecoming album-release show. “I grew up with my heroes being Miles Davis, or Jimi Hendrix, or Sun Ra,” he attests, aligning himself with a legacy of Afrofuturist improvisers. We put him there too, and this episode explains why.Support WRTI: https://bit.ly/2yAkaJsSee omnystudio.com/listener for privacy information.
Jazz is a conversation — and that’s what The Late Set is all about. Originated by critic Nate Chinen and broadcaster Greg Bryant, the show now convenes Chinen and Josh Jackson twice a month for perceptive variations on a theme, and their related interview with a special guest. Just like a hang at the end of the gig, in the back of the club, it’s direct, unfiltered and illuminating, revealing the music and its culture in a deeper light.