Steven Swarbrick and Jean-Thomas Tremblay, "Negative Life: The Cinema of Extinction" (Northwestern UP, 2024)
In Negative Life: The Cinema of Extinction (Northwestern UP, 2024), Steven Swarbrick and Jean-Thomas Tremblay enact a dialogue between cinema, philosophy, and ecocriticism to tarry with the question of ecological catastrophe. Taking as one of their conceptual points of departure Freud’s writing on negation, the authors elaborate a concept of ‘negative life’ to contest current approaches to ecocriticism predicated upon ideas of entanglement, presence, and connection. In their book, Swarbrick and Tremblay engage critically with a broad body of films—including Kelly Reichardt, Julian Pölsler, Mahesh Mathai, and Paul Schrader—and a range of conceptual paradigms (from antisocial queer theory and psychoanalytic thought to object-oriented ontology and theories of melodrama) to unsettle many of ecocriticism’s foundational assumptions. In this interview, we unpack some of the core themes and organising principles of the book and discuss the nature of collaborative writing.
Jules O’Dwyer is Teaching Associate in Film Studies and French at the University of Cambridge.
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Shalini Kakar, "Devotional Fanscapes: Bollywood Star Deities, Devotee-Fans, and Cultural Politics in India and Beyond" (Rowman and Littlefield, 2023)
Devotional Fanscapes: Bollywood Star Deities, Devotee-Fans, and Cultural Politics in India and Beyond (Rowman and Littlefield, 2023) examines how fans worship film stars as deities. Focusing on temples dedicated to Bollywood (Hindi cinema) stars and the artifacts produced by Hindi and Tamil cinema fans, Shalini Kakar illustrates how the fan constructs their identity as a devotee and that of the star as a deity. Extending her research from India to the US, Kakar highlights the transnational dimensions of this phenomenon to demonstrate the degree to which devotional fan practices (fan-bhakti) and fan artifacts can help us rethink art, religion, and politics. With its interdisciplinary approach, this book addresses how fan-bhakti is performed in the global landscape, in the process augmenting new religious models and identities based on the idea of the “cinematic sacred.”
For more information, go here.
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A Serious Man
A Serious Man (2009) may seem much different from the Coens’ adaptation of No Country for Old Men, which they released two years earlier. But they both concern a likable man who finds himself posing questions that the universe–or any of its weisest men–cannot answer. And even if there are glimpses of answers to the question “What does Hashem, or God, want,” neither late-thirties Larry or late-sixties Sheriff Bell can read the writing on the wall (or, in the case of A Serious Man, the writing on the teeth). The film begins with a quotation from Rumi, “Receive with simplicity everything that happens to you.” Join us for a conversation about one of the Coens’ best films and a terrific look at people to whom things happen and are forced to receive the will of a God who never tips His hand about His intentions.
There’s been a great deal written about Joel and Ethan Coen; if you want to hear them talk about their work in their own words, check out this collection of interviews.
Follow us on X and Letterboxd–and let us know what you’d like us to watch! Incredible bumper music by John Deley. Also check out Dan’s new Substack site, Pages and Frames, for more film-related material.
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Nicholas Baer, "Historical Turns: Weimar Cinema and the Crisis of Historicism" (U California Press, 2024)
Historical Turns: Weimar Cinema and the Crisis of Historicism (University of California Press, 2024) by Dr. Nicholas Baer reassesses Weimar cinema in light of the "crisis of historicism" widely diagnosed by German philosophers in the early twentieth century. Through bold new analyses of five legendary works of German silent cinema—The Cabinet of Dr. Caligari, Destiny, Rhythm 21, The Holy Mountain, and Metropolis—Dr. Baer argues that films of the Weimar Republic lent vivid expression to the crisis of historical thinking. With their experiments in cinematic form and style, these modernist films revealed the capacity of the medium to engage with fundamental questions about the philosophy of history.
Reconstructing the debates over historicism that unfolded during the initial decades of moving-image culture, Historical Turns proposes a more reflexive mode of historiography and expands the field of film and media philosophy. The book excavates a rich archive of ideas that illuminate our own moment of rapid media transformation and political, economic, and environmental crises around the globe.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
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Erin Lee Mock, "Changed Men: Veterans in American Popular Culture after World War II" (U Virginia Press, 2024)
Millions of GIs returned from overseas in 1945. A generation of men who had left their families and had learned to kill and to quickly dispatch sexual urges were rapidly reintegrated into civilian life, told to put the war behind them with cheer and confidence. Many veterans struggled, openly or privately, with this transition. Others in society wondered what the war had wrought in them. As Erin Lee Mock shows in this insightful book, the “explosive” potential of men became a central concern of postwar American culture.
This wariness of veterans settled into a generalised anxiety over men’s “inherent” violence and hypersexuality, which increasingly came to define masculinity. Changed Men: Veterans in American Popular Culture after World War II (University of Virginia Press, 2024) by Dr. Erin Lee Mock engages with studies of film, media, literature, and gender and sexuality to advance a new perspective on the artistic and cultural output of and about the “Greatest Generation,” arguing that depictions of men’s violent and erotic potential emerged differently in different forms and genres but nonetheless permeated American culture in these years. Viewing this homecoming through the lenses of war and trauma, classical Hollywood, pulp fiction, periodical culture, and early television, Dr. Mock shows this history in a provocative new light.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
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Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film